• Send us Mail
  • Follow us on Twitter
  • Join our Facebook Group
  • Subscribe to our RSS Feed
  • Search Site

Polari Magazine

  • Home
  • Up Front
    • Editorial
    • Clementine: The Living Fashion Doll
    • Polari Safari
    • WTF? Friday
    • Bulletin Board
    • Polari Facts
  • Features
    • Interviews
    • Features
    • Gallery
    • Opinion
    • Heroes & Villains
  • Community
    • Oral Histories
    • Coming Out Stories
    • Relationships
    • IDAHO
    • LGBT History Month
    • Blogs
  • Reviews
    • Books
    • Film and Television
    • Music
    • Stage
    • Visual Arts
    • Classics: Books
    • Classics: Film and Television
    • Classics: Music
  • About
    • About Polari Magazine
    • Contributors
    • Contact

You are here: Polari Magazine / Classics: Film and Television / Walter’s Top 5 Slashers: #3 Texas Chain Saw Massacre

Walter’s Top 5 Slashers: #3 Texas Chain Saw Massacre

★★★★★
Dir: Tobe Hooper
Cert: 18 • US: 120 min • Bryanston Pictures • 1974
Walter Beck reviews
…………………………………………………………………………………………

Welcome back loyal readers. We’re at the halfway point in our Halloween Slasher Countdown, and for this one we’re going south to Texas for one of the grisliest slashers to ever grace a movie screen, Tobe Hooper’s gritty vision of The Texas Chainsaw Massacre.

Set in the back roads of Texas, the films follows five young people, Sally, Franklin, Jerry, Kirk, and Pam. They travel to an old cemetery after reports of local grave vandalism to see if their grandfather’s grave is still intact.

After finding the grave intact, they get back on the road and pick up a strange looking hitchhiker. The hitchhiker rambles on about the nearby slaughterhouse, saying “My family’s always been in meat.” He slashes himself with a knife, takes a picture of the group in the van, and after they refuse to pay for it, he burns it. In a fit of rage, he slashes Franklin with a straight razor and they throw him out of the van.

The group speeds down to a service station for gas, but the owner tells them the pumps are empty. They decide to head down to an old homestead where Franklin tells them there’s a swimming hole. They find the swimming hole dry, but on hearing a generator, Kirk and Pam go to investigate and see if they can get some gas. They walk into the house and the deranged killer Leatherface bursts out of the door smashes Kirk with a sledgehammer and takes him in the back room to butcher him.

Pam runs to help Kirk, but stumbles into a room full of furniture and decorations made out of human bones. Leatherface grabs her, takes her to the back room, hangs her on a meat hook while he revs up his chainsaw and finishes butchering Kirk.

Night falls and Sally and Franklin start looking for their friends, in the dark, Leatherface emerges and kills Franklin with his chainsaw. Sally runs back to the service station where the old owner kidnaps her and brings her back to the house …

Tobe Hooper establishes many standards with this low budget gristly film: the false narrative of claiming it was based on true events, the psychotic masked killer, and the grainy film styling, all adding to the level of shock and horror.

Another classic technique that Hooper used, one perfected by Alfred Hitchcock, is the level of implied violence. Sitting through the film, you think you’ve just witnessed a blood bath, but in reality, there is very little on-screen gore. Hooper used atmosphere to create the illusion of blood. This technique would be used by many slasher directors until the gore craze of the 1980s.

The haunting atmosphere and implied gore made this an incredibly controversial film upon its release. It was pulled from several theaters in the United States, it was threatened with an obscenity charge in Canada, and in the UK the British Board of Film Classification refused to grant the film certification until 1998, twenty-four years after its original release.

Tobe Hooper’s stark, gritty vision remains a landmark amongst slasher films, establishing many trademarks of the genre and opening the door for many films that would follow. Like many popular slashers, it spawned a series of sequels, some of which aren’t half bad, and a remake that came out in 2003 (don’t bother with it).

So this Halloween season, head down to Texas and visit Leatherface and his family – just don’t stay for dinner…

  • Facebook
  • Twitter
  • Tumblr
  • Pinterest

Search Polari

Latest Posts

  • Polari Magazine 2008-2014December 3, 2014 - 6:16 pm
  • Tearing Up Their Map: An Interview with LambDecember 2, 2014 - 2:45 pm
  • Future Islands • GigDecember 2, 2014 - 1:41 pm
  • Puppets with Attitude (at Christmas)December 1, 2014 - 6:30 pm
  • The Aesthetic of Voyeurism: Interview with Antonio Da SilvaDecember 1, 2014 - 1:25 pm
  • Broke With Expensive Taste • Azealia BanksNovember 28, 2014 - 3:59 pm
  • Royalty Strutting on an American College Stage: Miss and Mr. Gay ISU 2014November 27, 2014 - 2:59 pm
  • Bright Light Bright Light: Everything I Ever WantedNovember 26, 2014 - 11:15 am
  • Jaime Nanci And The Blueboys: ‘Toy’ TalkNovember 25, 2014 - 4:09 pm

About Polari Magazine

Polari Magazine is an LGBT arts and culture magazine that explores the subculture by looking at what is important to the people who are in it. It’s about the lives we lead, not the lifestyles we’re supposed to lead.

Its content is informed & insightful, and features a diverse range of writers from every section of the community. Its intent is to help LGBT readers learn about their own heritage and to sustain a link between the present and the past.

Polari is designed to nurture the idea of community, whether that be social and political, or artistic and creative. It is your magazine, whether you want to read it, or whether you want to get involved in it, if you're gay, lesbian, bisexual, trans, or queer.

Polari Magazine is all these: it's a gay online magazine; it's a gay and lesbian online magazine; it's an LGBT arts and culture magazine. Ultimately, it is a queer magazine.

Latest Posts

  • Polari Magazine 2008-2014December 3, 2014 - 6:16 pm
  • Tearing Up Their Map: An Interview with LambDecember 2, 2014 - 2:45 pm
  • Future Islands • GigDecember 2, 2014 - 1:41 pm
  • Puppets with Attitude (at Christmas)December 1, 2014 - 6:30 pm
  • The Aesthetic of Voyeurism: Interview with Antonio Da SilvaDecember 1, 2014 - 1:25 pm
  • Broke With Expensive Taste • Azealia BanksNovember 28, 2014 - 3:59 pm
  • Royalty Strutting on an American College Stage: Miss and Mr. Gay ISU 2014November 27, 2014 - 2:59 pm
  • Bright Light Bright Light: Everything I Ever WantedNovember 26, 2014 - 11:15 am
  • Jaime Nanci And The Blueboys: ‘Toy’ TalkNovember 25, 2014 - 4:09 pm

Twitter

Tweets by @PolariMagazine

Archive

  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • August 2014
  • July 2014
  • June 2014
  • May 2014
  • April 2014
  • March 2014
  • February 2014
  • January 2014
  • December 2013
  • November 2013
  • October 2013
  • September 2013
  • August 2013
  • July 2013
  • June 2013
  • May 2013
  • April 2013
  • March 2013
  • February 2013
  • January 2013
  • December 2012
  • November 2012
  • October 2012
  • September 2012
  • August 2012
  • July 2012
  • June 2012
  • May 2012
  • April 2012
  • March 2012
  • February 2012
  • January 2012
  • December 2011
  • November 2011
  • October 2011
  • September 2011
  • July 2011
  • April 2011
  • March 2011
  • February 2011
  • January 2011
  • December 2010
  • November 2010
  • October 2010
  • September 2010
  • August 2010
  • July 2010
  • May 2010
  • April 2010
  • March 2010
  • February 2010
  • January 2010
  • December 2009
  • November 2009
  • October 2009
  • September 2009
  • August 2009
  • July 2009
  • May 2009
  • March 2009
  • February 2009
  • January 2009
  • December 2008
© Copyright - Polari Magazine - Wordpress Theme by Kriesi.at
  • scroll to top
  • Send us Mail
  • Follow us on Twitter
  • Join our Facebook Group
  • Subscribe to our RSS Feed
Website Privacy & Cookies