Clayton Littlewood’s Soho Stories: the film The Prophet

Clayton writes about the film The Prophet, and Sebastian Horsley.

But what was also nice were all the bum shots. There were bum shots in A Single Man but they were arty bum shots. Bums drifting in cloudy swimming pools. Bums lingering seductively in bedrooms. In A Prophet they were ‘dangerous’ bum shots.

Jan Moir, the bigoted, and ill-informed Daily Mail columnist, gets off lightly.

The PCC make decision on Jan Moir’s controversial and offensive column following the death of Stephen Gately.

Jan Moir is the Mr Magoo of 21st century moralism. Reading her column is rather like reading a comedian’s take on a small village know-it-all who thinks of herself as a moral compass.

Clayton Littlewood’s Soho Stories: on Tom Ford.

Clayton writes about Tom Ford, A Single Man, and Ford sidestepping the issue of homosexuality.

What has been disappointing is that this is now the third interview I’ve read where Ford has tried to distance himself from the film’s homosexuality ‘It’s not a gay movie. Absolutely not,’ he said in one interview.

Rupert Smith talks physique culture and his novel Man’s World.

The 1950s was the crucible in which contemporary gay life was formed, says Rupert Smith.

One of the stories is set in the 1950s when the man has just come out of national service and one of them is set today when the man is living the life on the London commercial gay scene.

Clayton Littlewood’s Soho Stories: on Katy Manning and Dr Who.

Clayton writes about meeting Katy Manning and the magic of Dr Who.

When I was growing up the Daleks were scary. I mean really scary. They were like the Terminators of their day.