Archive for category: Film & Television

Twin Peaks – The Entire Mystery

Cert: 15 • US: 1637 min • Paramount Home Entertainment • July 29, 2014

Twin Peaks – The Entire Mystery is a comprehensive and fitting collection that will mostly delight the fans of the maverick and groundbreaking television series.

“The sound and picture quality have been further upgraded and each frame now looks truly beautiful – crisp but dreamy, as they were meant to be.”


Cert: 15 • UK: 85 min • Lionsgate Films • April 18, 2014

Following Ivan Locke’s journey on the M6 from Birmingham to London, Locke is an intense film about one man’s life unravelling.

“Tom Hardy gives an absorbing and natural performance. Looking boyishly handsome and bearded, his expressive face and eyes are the agents of the film; exposing his moments of distress, uncertainty and loss of control.”


Cert: n/a • France: 58 min • Epicentre films • June 19, 2013

A somewhat old fashioned but thoroughly engaging documentary leaves you wanting more.

“She was, and still is, extraordinarily beautiful. Pruvot acknowledges with classic French insouciance that Bambi and her fellow performers were seen by many in the audience as ‘circus freaks.’”

Bad Neighbours

Cert: 15 • US: 97 min • Universal Pictures • May 3, 2014

Bad Neighbours is deliciously evil and utterly hilarious, and features some of the most inventive, wicked and outrageous comedy set pieces in cinema.

“Zac Efron is the real revelation here, however, casting aside his High School Musical roots with magnificent aplomb, delivering an incredibly evil performance as a belligerent fraternity leader.”

Les Beaux Jours (Bright Days Ahead)

Cert: 15 • France: 94 min • Les Films du Kiosque, 27.11 Production • June 19, 2013

Bright Days Ahead (Les Beaux Jours) puts an unrepentantly pleasure-driven, mature female protagonist, centre stage.

“An unabashed vehicle for its fragrant star, the entertaining Bright Days Ahead chimes irresistibly with the current vogue for films exploring ‘Third Age’ experiences.”

Looking: Season One

Cert: 15 • US: 8 x 30 min • HBO • January 19, 2014

Whilst Looking is not perfect, it admirably holds up a refreshingly astute and sometimes critical mirror to contemporary gay life.

“Finally, queer filmmakers seem comfortable balancing explicit representations of sex with (or against) the fuzzier feelings, without sacrificing emotional complexity or social commentary.”

Pierrot Lunaire

Cert: 18 • Germany/Canada: 51 min • Die Lamb, Hebbel Theatre Berlin, Jürgen Brüning Filmproduktion • February 9, 2014

Bruce LaBruce’s Pierrot Lunaire, set to Arnold Schöneberg’s score, is a meditation on transgender identity – but is the intriguing scenario a success?

“If there is any social point that comes across in the film, it is only that the current hysteria over whether someone is pre-op or not misunderstands what is means to identify as transgender. It restrains and enforces the boundaries of gender within matters of sex.”

Valencia: The Movie/s

Cert: 18 • US: 105 min • Radar Productions • June, 2013

Multiple directors, multiple actors, and Angelina Jolie make Valencia: The Movie/s a mirror to our own, hot, dirty, radical queer lives.

“It’s hard not to feel personally invested in this film. Michelle Tea’s messy, drunk memoirs became a metaphor for so many of us dirty queers, with its bad-choice adventures, stone cold girlfriends, hot bartenders, poetry and sex work. “

Plynace Wiezowce (Floating Skyscrapers)

Cert: 15 • Poland: 93 min • Matchbox Films / Alter Ego Pictures • March 24, 2014

Atmospheric and powerful. Floating Skyscrapers taps into the culture of homophobia, which demands many to suppress, numb, or even kill their own desires.

Floating Skyscrapers is very much a film about the unspoken. The script is suggestive and prefers to leave the emotional worlds of the characters to the audiences’ interpretation. The sparse dialogue and tense scenes reveal the unacceptability of his sexuality and the disorder it has made of his world.”


Cert: 15 • USA: 123 min • Exclusive Media, Cross Creek, Imagine Ent • January 27, 2014

Rush ebbs between some decent moments to scenes that would feel more at home in The Fast and the Furious franchise.

“The film is held back by Chris Hemsworth’s performance, which appears deliberate and self-conscious in adopting the cocksure persona. He seems unable to relax into the role, overcompensating to the point where character is superceded by a nauseating caricature.”