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You are here: Polari Magazine / Music / Summer Camp • Summer Camp

Summer-Camp

Fresh – Summer Camp

Summer Camp

★★★★★
Summer Camp
49:19 min • Moshi Moshi • September 9, 2013
John Preston reviews
…………………………………………………………………………………………

London based duo Summer Camp’s 2011 Welcome To Condale debut was steeped in nostalgia and tom-foolery. A whole visual scrapbook was created to support the fictional town and characters of Condale with Jeremy Warmsley and Elizabeth Sankley referencing American pop culture with a specific decade, decided by them, that begun in 1974. Musically it was enigmatic British indie pop circa 1988 but with built-in, up-to-the-minute electronic dance flourishes occasionally bursting through. It was flawed but fascinating, equally. Any kind of modern trends sonically or otherwise have all but disappeared on this self-titled follow up and a more wistful and warm sound, still in love with a past, has taken its place. It’s the same band but in softer focus.

Lead single ‘Fresh’ is a very old fashioned, massive string ‘old Hollywood’ sample on a loop, a retro dancer which brings to mind Spiller’s ‘Groovejet (If This Ain’t Love)’ if it had been recorded 5 years earlier than its 2000 release. It’s very ‘musical’ and stands out because it’s so immediately familiar sounding and has one of the best melodies of the album. The first song ‘The End’ is also a dance track of sorts – it certainly starts off with a substantial beat, which gradually gets layered with various synth lines and trinkets, a clever middle eight and it’s indeed a strong opener. But Summer Camp’s real influences here are again more early ’80s jangly, electronic ‘kitchen sink’ melodic pop and not dance. Artists such as New Order and Altered Images can easily be heard and at worst the twee-ness of Beautiful South comes to mind. The big beat wallop and rotating synth sample of ‘Crazy’ is less Daft Punk and more early Fatboy Slim and it actually does sound dated which I don’t think was ever the intention.

Stark and attention seeking ballad ‘Fighters’ certainly makes an impression. The lyrical metaphors are convincing,

The first hit was hard and straight to the chin,
A spray of blood caught his face as he leaned in,
She staggered back in shock and surprise,
Shivered at the blow and tears welled in her eyes –

and Sankley’s plaintive vocals are beautifully recorded and right in your ear. But it also has the slight whiff of a school assembly musical which undermines the seriousness of the subject matter and takes away some of the much needed weightiness; it sounds shallow when it should be sardonic. Flawed it may be but it is a definite glimpse into what they could be capable of and evidence of developing song writing skills. The sung-spoken ‘Phone Call’ is a definite highlight and is reminiscent of late career Kirsty MacColl at her most melancholic and ‘Pink Summer’ has pathos and an intimate and sad vocal delivery from Sankley. The swirling, dingy ‘I Got You’ has a riff that sounds like Aneka’s 1981 novelty number one ‘Japanese Boy’ but with little of that song’s energy or pop awareness, something the couple  excelled at 2 years ago.

Welcome to Condale was uneven but had fantastic, eccentric peaks and whilst this is certainly a more cohesive collection of songs and themes, it fails to fully excite or divert from the whole pleasantness that prevails throughout. An enjoyable album certainly, but one where the duo’s intentions and a satisfying sense of a musical identity or presence is unclear. Influences may ring out loud and clear throughout and are fun to spot but Summer Camp’s own voice, and after much initial promise, is  sadly less confident and idiosyncratic for the main part here.

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About Polari Magazine

Polari Magazine is an LGBT arts and culture magazine that explores the subculture by looking at what is important to the people who are in it. It’s about the lives we lead, not the lifestyles we’re supposed to lead.

Its content is informed & insightful, and features a diverse range of writers from every section of the community. Its intent is to help LGBT readers learn about their own heritage and to sustain a link between the present and the past.

Polari is designed to nurture the idea of community, whether that be social and political, or artistic and creative. It is your magazine, whether you want to read it, or whether you want to get involved in it, if you're gay, lesbian, bisexual, trans, or queer.

Polari Magazine is all these: it's a gay online magazine; it's a gay and lesbian online magazine; it's an LGBT arts and culture magazine. Ultimately, it is a queer magazine.

Latest Posts

  • Polari Magazine 2008-2014December 3, 2014 - 6:16 pm
  • Tearing Up Their Map: An Interview with LambDecember 2, 2014 - 2:45 pm
  • Future Islands • GigDecember 2, 2014 - 1:41 pm
  • Puppets with Attitude (at Christmas)December 1, 2014 - 6:30 pm
  • The Aesthetic of Voyeurism: Interview with Antonio Da SilvaDecember 1, 2014 - 1:25 pm
  • Broke With Expensive Taste • Azealia BanksNovember 28, 2014 - 3:59 pm
  • Royalty Strutting on an American College Stage: Miss and Mr. Gay ISU 2014November 27, 2014 - 2:59 pm
  • Bright Light Bright Light: Everything I Ever WantedNovember 26, 2014 - 11:15 am
  • Jaime Nanci And The Blueboys: ‘Toy’ TalkNovember 25, 2014 - 4:09 pm

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