The shorts of Antonio Da Silva combine elements of pornography, narrative and the art film. He talks to Michael Langan about poetry, porn and how in touch with his audience he is.
“The moments I select in my editing are the ones where the person forgets the camera is there. If I see ‘acting,’ I won’t use that. That’s why in some of my films I show people leaving the moment after having sex, I’m interested in that afterwards moment.”